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OlegLevashov

Pen, ink and sweat
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Artist // Hobbyist
  • Australia
  • Deviant for 10 years
My Bio
  • I'm going my way alone in a dead world of useless art. Welcome to my strange imaginary worlds.


Here, you'll discover a blend of traditional and digital pen and ink ✑ artwork, from the 1990s till the present, which showcases my passion for this timeless medium. From intricate sketches to finished pieces, each creation is an expression of my imagination and a tribute to the traditional old-school style.


My mediums of choice include traditional pen and ink, Rapidograph / Rotring pen, and for digital work, Wacom tablet and Adobe Illustrator CS5 for vector atrt and Adobe Photoshop CS5 for digital painting.


I specialize in crafting intriguing characters with an eye for realistic anatomy and expressive faces, paying close attention to every detail. I strive to bring life to my drawings and create a series of visually stunning pieces.


  • Come and be a part of my journey in the world of pen and ink art.

--

Details make perfection, and perfection is not a detail.

© Leonardo Da Vinci


Favourite Visual Artist
Gustave Dore, Albrecht Durer, Julius Schnorr von Carolsfeld, Franklin Booth, Aubrey Beardsley, Virgil Finlay, Ivan Bilibin, Derek Riggs, Paolo Eleuteri Serpieri, Jean Giraud (Moebius), Boris Vallejo, Luis Royo, H. R. Giger, Lawrence Alma-Tadema
If you want to explore pen and ink drawing technics just learn from these books: MUST-HAVE: Nice, Claudia (1993, 1998). Sketching your favorite subjects in pen & ink. North Lights Books, Cincinnati, Ohio. Simmons, Gary (1997). The technical pen. Watson-Guptill Publications, N.Y. Guptill, Arthur L.; Meyer, Susan E. (2000). Rendering in pen and ink. Watson-Guptill Publications, N.Y. ADDITIONAL: Nice, Claudia (1997). Drawing in pen & ink. North Lights Books, Cincinnati, Ohio. Lohan, Frank J. (1978, 2009), Pen and Ink Techniques . Dover Art Instruction Glassford, Carl (1985, 2004). Drawing with pen and ink. Walter Foster Publishing, Inc. Calle, Paul (1974, 1995). The pencil. North Lights Books, Cincinnati, Ohio. Луковенко Б. А. Рисунок пером / Борис Анатольевич Луковенко. – М.: Изобразительное искусство, 2000. – 104 с.: ил. Martin, Bill (1993). The joy of drawing: How to draw anything you see (or imagine!). Watson-Guptill Publications, N.Y. Lohan, Frank J. (1993). The
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When it comes to choosing the ideal paper for your artistic endeavors, several crucial considerations should guide your decision-making process. Here are seven essential tips to help you make the right choice: 1) Determine Your Artistic Intent 🎨 If you're practicing or intend to scan your drawing, there's no need to splurge on expensive paper. For artwork meant for sale or exhibition, investing in high-quality paper is a wise choice. 2) Avoid Inappropriate Paper Choices 🚫 Stay away from watercolor paper, as it can cause ink to spread and create thick lines. Avoid paper with a deep texture, which can make it challenging to work with fine details. Steer clear of coated or glossy paper, as it absorbs ink slowly and can lead to smudging. 3) Consider Paper Weight 📜 For most applications, standard paper with a weight of 80 to 100 gsm (grams per square meter) will suffice. If you're using fountain pen ink, markers, or watercolors, opt for thicker paper in the range of 100 to 200
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1. RAPIDOGRAPH/ISOGRAPH NIB SIZE AND PAPER SIZE The size of the Rapidograph nib depends on the size of the paper you plan to draw on. The following standards are recommended: A3 size (297×420 mm): Nibs: 0.20, 0.25, 0.30 A4 format (210×297 mm): Nibs: 0.13, 0.18 A5 format (148x210 mm): Nibs: 0.10, 0.13 IMPORTANT! DO NOT USE nibs thicker than 0.30 for drawing, as they produce lines that are too thick. Avoid wasting your money on them, as they can be replaced with any ink pen or liner. The 0.20 and 0.25 nibs are medium-thickness nibs suitable for working on LARGE formats and for drawing with white ink. Dr. Ph. Martin's Pen-White ink is the recommended white ink 2. DIMENSIONS OF PEN & INK DRAWINGS Typically, pen & ink drawings are QUITE SMALL and are often limited to A4 (210x297 mm) size. Most works have a shaded area corresponding to the A5 format (148x210 mm). On average, the width of the shaded area is: 100 mm 130 mm 150 mm To work on such a small format, you may
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